My current work involves nature, specifically plant structure. I focus on native plants, as simple, yet complex systems. Close examination gives me a chance to observe their natural, unadorned shapes, variations of leaves and the unique way each plant grows. I find elegance in the simple lines and shapes derived from each of these plants.

As I work, I deconstruct what I see, and reassemble it somewhere between abstraction and realism using a quick, contour-like line. This line also serves as a way to create illusion of movement, so important in my work.

The use of multiple parts is also something I like to explore. My graphite drawings are initially created in triptych format. The sculptures are also done this way, using three planes instead of three pages. I like the way mulitple parts can work, making something stronger, while also creating contrast at the same time. Each part works on its own, or together as a whole.

The paintings are acrylic on canvas or gessoed paper. They illustrate the illusion of movement perhaps better than either the drawings or sculpture.

The drawings are graphite on paper. I use tonal variations, patterns, and rhythms for contrast in place of color. Whatever medium I am working in, I always start with one of these drawings.

The sculptures have evolved from early assemblages made of wood and cardboard, through low relief polystyrene wall sculpture, to free standing sculptures made of metal wood or plexiglass.

My work is a fusion of form and content. Form comes from a fixation with the formal elements in art; line, shape, and color. Content, on the other hand, draws on my respect and concern for nature. I find a never ending fascination with how nature works and a desire to protect it.